We’re happy
to announce the successful closing of Ari Glass' latest major solo exhibition, which
showed this month in Life Gallery Studio. Under the title “Visual and Textual
Form”, Seattle artist Ari Glass exhibited linocuts divided into five smaller
thematic units. There are four imprints together with the final fifth,
representing the culmination of all matrix in one imprint.
The gallery space received visitors, presenting them with the first part of the exhibition that begins the story of extinct civilizations. As artist Ari Glass emphasized - the point of the exhibition is not to romanticize some past times in order to critique the present and challenge modernity. Moreover, the visitor is offered insight into the connection between what used to be and what is today, past and present inevitably intertwined. The story continues in the second part of the gallery space.
Indeed, the foundation of the line-up is precisely the story - an interesting narrative
told through a visual medium, but also through the textual elements below the
linocuts. These are relatively short, often humorous, and interesting stories
that mostly make visitors pause for a few minutes and think. The culmination,
therefore, is not a setting that can be glanced over and forgotten after a few
minutes.
The texts,
handwritten by Ari Glass himself, represents the thoughts and words of the
participants and the author. The written thought acts as an internal monologue
of some of our contemporaries, and, as previously mentioned, it is about
ancient civilizations and extinct tribes. This, at first glance,
incompatibility of the textual and the visual is actually what makes this
exhibition unique and answers the artist's question about what has changed and
what has not."
Ari Glass
pays attention to the structures and lines, resulting in extremely rich
linocuts that, from a certain distance, resemble drawings. Undoubtedly, such
thoughtful representation has certainly required a lot of effort, and the artist has managed to achieve narrative, expressiveness, and descriptiveness.
The culmination of the groups offered visitors visually intriguing exhibits, as
well as a glass of conversation filled with thoughts and ideas that complemented
and “framed” the linocuts.
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